Online Music Resource Pages

This forum is an open group for everyone to contribute online resources that could be used to help individuals and groups trade music online

Echodamp has anyone check this out?

Posted Sun, 01/03/2010 - 05:12 by scot

http://echodamp.com/

The ECHODamp™ software application is a multi-channel audio mixer and echo controller designed primarily for the High-Bandwidth Musical Videoteleconference environment

Resound Project at Georgia Tech

Posted Sat, 01/02/2010 - 20:56 by scot

An interesting master's thesis proposal I ran across.

http://resoundproject.com/blog/

I hope Thomas Pinkneybarnwell IV has some success  Surprised

"Using existing collaborative music and locative art projects as my starting point, I will explore the changing notion of location within collaborative music environments as they move from physical spaces into digital spaces. From this research, I will design a collaborative online sound tool which reconfigures the idea of physical location in relation to collaborative networked music spaces."

jamLink - Real-time, Music Playing and Collaboration Over the Internet

Posted Fri, 11/20/2009 - 17:47 by Ellen

MusicianLink, Inc., a pioneer in real-time music collaboration and Internet acoustics emerged from three years of research and development to unveil the jamLink. The jamLink is an Internet audio interface enabling musicians to play in sync from multiple locations across town or hundreds of miles apart. The jamLink delivers CD-quality audio and works with guitars, bass, keyboards, drums and vocals - basically any instrument or mic that has a 1/4” instrument output. Musicians, singers and songwriters with a high-speed Internet connection are now able to collaborate without sacrificing audio quality or accounting for latency.

www.musicianlink.com

NINJAM - online collaboration tool

Posted Mon, 08/31/2009 - 18:03 by scot

NINJAM is a program to allow people to make real music together via the Internet. Every participant can hear every other participant. Each user can also tweak their personal mix to his or her liking. NINJAM is cross-platform, with clients available for Mac OS X and Windows.

NINJAM - Novel Intervallic Network Jamming Architecture for Music - Main (4 August 2009)

http://www.ninjam.com/index.php

http://snipurl.com/op0h8

Didjeridu - A How-To Guide for Construction

Posted Thu, 10/30/2008 - 02:42 by scot

Date: Fri, 28 Oct 1994 20:06:00 +48000
From: toyoji
To: didjeridu list processor

From: Matthew Newby didjeridu@varese.mills.edu
Date: Fri, 28 Oct 1994 08:28:47 -0700 (PDT)

Hello all,

Several months ago, I asked on rec.music.makers.builders, and in
the didjeridu digest, what the measurements were for making your own
didjeridu. With the leads you provided, and the help of a couple of
physics books, I worked out the formulas for calculating the length of
a pipe to produce a fundamental of a specific note. I then obtained
some 2" Schedule 40 PVC piping and was able to make some decent
sounding instruments. I borrowed a chromatic tuner to validate that
my calculations were correct, and was pleasantly surprised to find
out that they were right on. After a little bit of effort learning
the instrument, I've mastered the basics enough to feel comfortable
playing as a solo didj in our ensemble at church (raised a few

Legacy information about resources, 15 Sep 1995

Posted Sat, 10/04/2008 - 20:27 by admin

Date: Fri, 15 Sep 1995 10:31:55 -0700
From: Joe Catalano
Message-Id: <9509151731.AA13338@library.berkeley.edu>
To: cceseattle@aol.com, doughert@interval.com, jcatalan@library.berkeley.edu,
paulineo@tmn.com, pow@cruzio.com, scot@sbe.csuhayward.edu,
timper@artifact.com
Subject: Tech Committee discussion group
Content-Type: text
Content-Length: 1577
Status: RO
X-Status: A

Hello Everyone!

This is just a note to inaugurate this committee's formation that
we talked about last Saturday in the Redwood Park in Oakland. As
a recap, my sense is that this committee could be used as a forum
to discuss how the Oliveros Foundation can best utilize this nutty
Internet technology to best extend the good work of the foundation.

I think the most efficient way to work the committe is for members
to set up an alias that includes all of our addresses and always respond
to the group using that alias or we could just "reply" to everyone in the
group. This way we have a listserve without having to ask a sysop
to set one up for us. I know I state the obvious, but hey it's still

Telematic Drum Circle

Posted Thu, 05/29/2008 - 02:57 by scot

Telematic Drum Circle Telematic Drum Circle is an interdisciplinary art project which combines Tele-Robotics, Computer Science, Pneumatics and Music. The project explores the rupture of deeper communication in the technology meditated world, and addresses the issue of global harmony by sharing participants’ rhythmical spirit produced through the telematic live drum ensemble. It consists of two main components: a set of sixteen robotic drums arranged in an installation space and an interactive website networked with these drums.

AuNetJam compendium of current practices

Posted Wed, 05/28/2008 - 22:34 by admin

http://trevor.ucsd.edu/aunetjam.html

The purpose of this document is to provide an on-going update on network performance options. The intent is to address the basic issue of performing or rehearsing with one or more remote performers. Audio Latency is the big issue. When traditional musicians perform, they generally need to be able to hear, at least, some of the other musicians. The issue of seeing the other musicians is addressed in a separate document. For our purposes, a standard "recording studio" setup is most appropriate where musicians may be isolated (in booths or blocked by panels), but they can hear each other acoustically or through headphones with minimul delay. It is worth noting here that musicians will generally experience a delay of 5-10ms as a result of their instrument and velocity of sound through the room.