A resource for telematic performance presented by the Deep Listening Institute Ltd.Kingston, NY

Welcome

 Telematic music allows musicians to play live and simultaneously across geographic distance via the internet. Expert advice is available on freeware and shareware applications that can be used for telematic music. A database of musicians is also facilitated through this site for musicians seeking to join telematic ensembles. Use Create Content to blog, post media, make new groups with others, etc.

Distant Presences - Real-time performance.

A Furthernoise (www.furthernoise.org) audio visual networked improvisation takes place this Sunday 20th June.

Times: From 12 Midday (UK) GMT, 1pm Central Europe, 9pm EST Australia.

Audio: http://www.fbiradio.com

Visuals: http://www.visitorsstudio.org

Duration: 30 mins

Who: Ethernet Orchestra featuring:

Buhu Ganburged - Mongolian Horse Fiddle and throat singing,

Yavuz Uydu Turkish Oud and Bendir

Roger Mills - Processed Trumpets.

online headphone festival

 CALL FOR PARTICIPANTS - ONLINE - REMOTE

PERFORMANCE 3 & 4th july 2010


*CALL .. for sound piece, poem, voice performance, experimental music or

theatre.. *

duration for a performance: 30 minutes

Faultlines: Mapping Jazz in the 21st Century

CNMAT presents:

Faultlines: Mapping Jazz in the 21st Century Myra Melford, piano and Jason Robinson, saxophone

Sunday, April 25, 2010
5:00 pm
CNMAT
Free
http://cnmat.berkeley.edu/event/2010/04/25/faultlines_presents_myra_melf...

A multi-site networked concert featuring Myra Melford (piano and inside of piano) and Jason Robinson (woodwinds and electronics) CNMAT, 5pm (PST)
- and -
Buckley Recital Hall, 8pm (EST)
Arms Music Center
Amherst College
Amherst, Massachusetts
Audiences at both locations, free and open to the public

Faultlines: Mapping Jazz in the 21st Century is a yearlong festival encompassing a variety of concerts, workshops, lectures, and panel discussions. The artists embody some of the most creative, exciting, and provocative directions in contemporary improvised music. The festival returns for its second year during the 2009-2010 academic year

"vse_" now a twitter handle for posts from this site

Any time major new posts happen from this site they will be posted on twitter. If you have a twitter account and want to get these just follow VSE_ on twitter. ( Plain old VSE was taken ;-)

Scot GL demos webcam capture with Kultura module

ScotAB_TIME2b

A shot from Marseilles during a live performance between there RPI and Mills College. Scot GL is playing guitar electronics in the shot you see a recursive shot of Marseilles and RPI on the screen

Telematic Performance

Contrabassist and CRCA researcher Mark Dresser participates in a collaborative "telematics" concert and cumulation of a research collaboration at UCSD with colleagues at UC Berkeley and Stanford. The public performance at UCSD will include UCSD Music Department faculty Mark Dresser (contrabass), Philip Larson (voice), and Billy Mintz (drums), who will be joined in-person by UCI Music Asst Professor Michael Dessen (trombone). Joining via high-speed connection from Berkeley will be CNMAT Director David Wessel (electronics), Asst Professor of Music Myra Melford (piano); and from Stanford, CCRMA Director Chris Chafe (cello & celleto). The group will be collaborating and exploring the musical potentials and limitations of latency in musical time, electro-acoustic processing at distance, and collaborative exploration of the medium>

Co-presented by CRCA and the UCSD Music Department, with support from Calit2.

video: 
Sorry, you need to install flash to see this content.

Music in the Global Village conference Dec. 10- 13 in Budapest

http://globalvillagemusic.net/

Wish they had invited the HUB back again. We participated in the first one in 2007 and it was great. I see Pauline Oliveros, Chris Chafe and many other friends will be there. I will post if I find any links to online activity.

Jason Freeman says: "Over the next few days, we will focus on a series of critical issues surrounding the theory and practice of networked music through a combination of brief presentations, extended group discussions, and concert performances. I hope that we will use this time to document the range of current thinking and practice, to identify critical technical, design, and musical issues facing the field, and to brainstorm ways in which to address those issues. I also hope that this event will be the beginning of an ongoing, growing conversation about networked music."

freesound

I have found this sight very useful and thought I would pass it on here:
http://www.freesound.org/whatIsFreesound.php

The Freesound Project aims to create a huge collaborative database of audio snippets, samples, recordings, bleeps, ... released under the Creative Commons Sampling Plus License. The Freesound Project provides new and interesting ways of accessing these samples, allowing users to

>browse the sounds in new ways using keywords, a "sounds-like" type of browsing and more

>up and download sounds to and from the database, under the same creative commons license

> interact with fellow sound-artists!